![]() ![]() Impressed by the monumentality of the ancient ruins, he conceived the plan to resurrect ancient Rome in his drawings. Piranesi soon fell out with Vasi, however, and broke off his training in his workshop. A year after his arrival in Rome, Piranesi began training with the veduta artist Giuseppe Vasi, who taught him the basics of etching and engraving. Opportunities arose in the field of painting, especially through the beginning of Rome tourism. Due to the economically desolate situation, it was not possible for him to work as an architect himself. In 1740 Piranesi traveled to Rome as a draftsman in the entourage of Marco Foscarini, the Venetian envoy to the Holy See to study Roman architecture under the architects Nicola Salvi and Luigi Vanvitelli, the last representatives of a genuine Roman Baroque. At this time in Venice – especially through Canaletto – the art of the veduta reached a peak. This enabled him to intensively study the art of illusion and perspective. In further training as a stage designer, he learned about the possibilities of stage decoration. After falling out with his uncle in a dispute, he continued his training with Giovanni Scalfarotto (1670-1764). He began his training as an architect at the Magistrato delle Acque with one of his mother’s brothers, Matteo Lucchesi, a Venetian civil engineer in charge of regulating the lagoon. His brother Angelo taught Giovanni Battista Latin and the basics of ancient literature. The first written document about Giovanni Battista Piranesi is his entry in the baptismal register of the parish of San Moisè in Venice, dated November 8, 1720. He was the son of a stonemason who also worked as a construction manager. Giovanni Battista Piranesi – Family Background Piranesi is famous for his etchings of Rome and of fictitious and atmospheric “prisons” ( Le Carceri d’Invenzione). On October 4, 1720, Italian Classical archaeologist, architect, and artist Giovanni Battista Piranesi was born. ![]()
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